Online artist talks and discussions
Lucky Pierre: the old is dying and the new cannot be born
Wednesday, April 28 // 7 PM CDT (Zoom.us)
Artist talk recorded on March 24, 2021 for about a block by Suburban Piano Quartet, performed around Roman Susan June 30 to July 8, 2018.
The Suburban Piano is a performance ensemble, Nadine Dyskant-Miller, Clay Gonzalez, Perry Maddox, and Corey Smith, creating collaborative multimedia performance situations. For more information, please visit suburbanpianoquartet.com.
Artist talk recorded on February 24, 2021 for Song of the Summer by Maddie Reyna, exhibited at Roman Susan from May 8 to May 30, 2015.
Maddie Reyna (b. 1987, American) is an artist in Chicago, IL. She received her Masters in Fine Art from the School of the Art Institute of Chicago in 2013 and is currently Assistant Director of Academic Programs for Ox-Bow School of Art and Artist's Residency. In 2020, she opened a space in Chicago called Slung Leg, with her husband, Jacob Goudreault. In addition to an active studio practice and exhibition schedule, projects have included co-director of Julius Caesar Gallery, Chicago, host of art review radio show, Wang, and editorial associate for Contemporary Art Daily. For more info, visit maddiereyna.com.
Artist talk recorded February 18, 2021 for Suncatcher by John Marks, exhibited at Roman Susan from December 7 to December 31, 2013.
John Marks is a Minneapolis-based artist and curator working at the intersections of media, music, and visual art. In 2005, John co-founded Art of This, an artist-run nonprofit, and has served as co-curator of the Tuesday Improvised Music Series, a monthly series presenting new experimental music in the Twin Cities. In 2013, John co-founded MirrorLab, a studio, film lab, and project space for explorations in integrated art forms. For more information, please visit john-william-marks.com.
Artist talk recorded February 10, 2021 coinciding with Surveilling Snow Lily by Colleen Plumb, exhibited at Roman Susan from February 1 to February 28, 2021.
Colleen Plumb (American, born Chicago IL) makes photographs, videos, and installations investigating contradictory relationships people have with nonhuman animals. Her work explores the way animals in captivity function as symbols of persistent colonial thinking, that a striving for human domination over nature has been normalized, and that consumption masks as curiosity. Plumb's work sheds light on abnormal behaviors of captive animals in order to bring attention to implicit values of society as a whole, particularly those that perpetuate power imbalance and tyranny of artifice. One of her current projects, Invisible Visible, reflects upon the industrial food system and meatpacking industry through the bones and bodies of chickens.
Plumb's work is held in several permanent collections and has been widely exhibited. She has written for the Center for Humans and Nature, an organization dedicated to exploring and promoting human responsibilities in relation to nature, and has collaborated with the Nonhuman Rights Project and Phoenix Zones Initiative. Her first photography monograph, Animals Are Outside Today (Radius Books, 2011) critically documents our ambivalent dispositions towards animals. Plumb's recent photography book, Thirty Times a Minute (Radius 2020), examines the plight of captive elephants with contributing essays by nine experts working in legal, ethics, and scientific fields. Plumb's work has appeared in LitHub, Psychology Today, Virginia Quarterly Review, The Village Voice, Blow Photo Magazine, Feature Shoot, New York Times LENS, Time Lightbox, Oxford American, Photo District News, and Artillery Magazine. Plumb lives in Chicago and has taught photography and video at Columbia College Chicago since 1999. For more information, please visit colleenplumb.com.
Artist talk recorded February 3, 2021 for A Study in Rhyme & Song – From Minstrel Show Tune to Children’s Nursery Rhyme by Sadie Woods, exhibited at Roman Susan from October 6 to October 28, 2017.
Award-winning artist Sadie Woods has had an exciting career, showcasing her talents everywhere from academia to nightclubs, boutiques to museums. As a multidisciplinary artist, curator and deejay, Woods' work focuses primarily on social movements and resistance, and producing collaborations within communities of difference. She also deejays under the moniker Afrodjia, focusing on diasporic Afro-Latin and -Caribbean music and culture. She has exhibited her work and deejayed nationally and internationally. Publications include Harald Szeemann Méthodologie Individuelle published by JRP Ringier with Le Magasin—Centre National d'Art Contemporain de Grenoble, in collaboration with the Department of Curating Contemporary Art, Royal College of Art, London.Woods received her BA from Columbia College and MFA from The School of the Art Institute. She is a 2020 recipient of the City of Chicago’s Department of Cultural Affairs and Special Events Esteemed Artist Award and currently Faculty at the School of the Art Institute, Residents Orchestrate Project Manager at the Chicago Sinfonietta, and resident deejay on Vocalo 91.1FM and Lumpen Radio 105.5FM. For more info, please visit sadiewoods.com.
Artist talk recorded on January 27, 2021 for Death of a Moth by Christine Wallers, exhibited at Roman Susan from September 12 to September 27, 2015.
I am a nonrepresentational artist making temporal works that take the form of large-scale installations and intricate works on paper that are more than drawings, but not quite sculptures. It is this space of “more than, but not quite” that thrills me. Light and its shifts play a significant role in the perception of my work. In both installations and works on paper, my pieces change as viewers move around them and as light illuminates areas at different angles. In this way, my work is constantly shifting, suggesting a sense of movement that elicits a physical awareness and empathy in the body. My creative practice also values the imperfect, ritualistic, and contemplative process of hand rendering.
– Christine Wallers
|For more information, please visit christinewallers.com.|
Artist talk recorded on January 20, 2021 for Breathing Room by Alejandro T. Acierto, exhibited at Roman Susan from April 8 to April 27, 2017.
Acierto is an artist, musician, and curator whose work is largely informed by human relationships to technology. He has exhibited projects at the 2019 Havana Biennial in Matanzas, the Film Society of Lincoln Center (NYC), Issue Project Room (NYC), MCA Chicago, Art Institute of Chicago, Boundary Gallery (Chicago), and Roman Susan (Chicago). His performance works have also been presented as part of the Brooklyn International Performance Art Festival, the KANEKO (Omaha), Rapid Pulse Performance Art Festival (Chicago), Center for Performance Research (NYC), and Center for New Music and Technology at UCBerkeley. Recent curatorial projects have been presented in East Tennessee State University’s Tipton Gallery (Johnson City), Coop Gallery (Nashville), and online for the Wrong Biennial through his online gallery twosixteen.net. He is also co-author of CQDE: A Feminist Manifestx of Code-ing published by Sybil Press with KT Duffy, and has contributed writing for the Journal for Asian Diasporic Visual Cultures and the Americas and Imperial Islands: Vision and Experience in the American Empire after 1898 edited by Joseph Hartman for University of Washington Press.
Noted for his “insatiable” performance by the New York Times, Acierto has performed written and improvised music extensively throughout the US and abroad as a soloist and chamber musician. He is a clarinetist and founding member of the Chicago-based new music collective Ensemble Dal Niente and can be heard on several recorded projects on Carrier, Albany, New Focus, Parlour Tapes+, and Avant Media Records. His last issued solo record was also released on Prom Night Records.
Acierto has held residencies at Skowhegan School of Painting and Sculpture, Virginia Center for the Creative Arts, Banff Centre, High Concept Laboratories, LATITUDE, Chicago Artists' Coalition and was an Field Guide Consortium Fellow and a Center Program Artist at the Hyde Park Art Center in Chicago. A 3Arts Awardee, he received his undergraduate degree from DePaul University, an MM from Manhattan School of Music, an MFA in New Media Arts from University Illinois at Chicago (UIC) and was an inaugural Artist in Residence for Critical Race Studies at Michigan State University. He is currently an Andrew W. Mellon Assistant Professor of Digital Art and New Media and a Mellon Faculty Fellow in Digital Humanities at Vanderbilt University. For more information, please visit alejandroacierto.com.
Artist talk recorded on December 15, 2020 coinciding with the exhibition Measures of Distance by Lia Kohl and Nick Meryhew. To view excerpts of the videos mentioned in the talk, visit romansusan.org/measures-of-distance.
Lia Kohl is a cellist and multidisciplinary artist based in Chicago. She creates and performs embodied music and multimedia performance that incorporates sound, video, movement, theatre, and sculptural objects. She is a curator and ensemble member with the acclaimed performance ensemble Mocrep, with whom she has toured nationally and internationally. She has presented work and performed at the Art Institute of Chicago, the Museum of Contemporary Art Chicago, and held residencies at Mana Contemporary Chicago, High Concept Labs and dfbrl8r Performance Art Gallery. As an improviser she performs around the world and with her clarinet/percussion/cello trio, ZRL. She plays with Chicago bands Whitney, OHMME, and Circuit des Yeux. She tours with Chicago based puppet theatre company Manual Cinema.
Nick Meryhew is an experimental musician, curator, improvisor, and armchair geologist. Their work explores ideas of assemblage, hybridity, and nonhierarchy through a sculptural approach to found sound. They frequently improvise as a medium through which to investigate social dynamics both personal and political. Nick is a founding/former member of performance ensemble Mocrep, and has presented work at No Nation Gallery, The Hideout, Art Institute of Chicago, High Concept Labs, and MCA Chicago. They currently perform in Chicago with The Lucky Trikes, Runaway Labs Theater, and alongside noise artists Hedra Rowan and Jen Hill. They have curated at Logan Square's Comfort Station since 2017, primarily working on the experimental sound and performance series Gather. They are currently co-artistic director of AG47 Collective, a youth arts collective that facilitates interdisciplinary arts workshops and exhibitions for teens in Logan Square.
Artist talk recorded on December 8, 2020 coinciding with the installation of It makes me wanna by Paige Taul at MirrorLab in Minneapolis, MN. To view the works mentioned in the talk, please visit Transit, It makes me wanna, and I am on paigetaul.com.
Paige Taul is an Oakland, CA native who received her B.A. in Studio Art with a concentration in cinematography from the University of Virginia and an M.F.A from the University of Illinois at Chicago in Moving Image. Her work engages with and challenges assumptions of black cultural expression and notions of belonging. Her interests lie in observing environmental and familial connections to concepts tied to racebased expectations and expose those boundaries of identity in veins such as religion, language, and other black community based experiences.
Artist talk recorded on October 22, 2020 coinciding with the exhibition growing down by Rebecca Beachy.
Rebecca Beachy is an artist, writer, and educator in Chicago whose practice involves deepening attention to the materialities inherent in urban and natural orbits. Her work engages the many subtleties and the complex relationships we have with the natural world. She holds an MFA in Studio Arts and an MA in Art History from the University of Illinois, Chicago. Born in 1982, Beachy grew up in Denver, Colorado. Past exhibitions include Ralph Arnold Gallery with Roman Susan, Loyola University, Chicago; Sector 2337, Chicago; New Capital Projects, Chicago; Iceberg Projects, Chicago; FRISE, Hamburg, Germany. Beachy’s work has been featured in publications such as Antennae: The Journal of Nature in Visual Culture, UK; Æther Sofia/Haga, Bulgaria, Netherlands; City Creatures, University of Chicago Press, New New Corpse, Green Lantern Press. Beachy’s work has been written about in White Hot Magazine; ArtSlant; Hyperallergic; Armseye; Art Papers; NewCity Chicago; Chicago Reader; Chicago Tribune. Beachy is a recent recipient of 3Arts Make a Wave Grant. For more information about the artist, please visit rebecca-beachy.com.